“Great musicians should have only the finest instruments in their homes.”

The caustic comment from the piano tuner who had curled up his nose at my old spinet piano has bothered me for fourteen years, though I’ve had a hard time figuring out why.

I thought maybe it was the man’s attitude when he entered my home. I had been desperately searching for a tuner willing to take on my pawn shop find but from the moment this guy laid eyes on it, his annoyed smirk told me the piano didn’t meet his criteria. Maybe it was the chipped places around its edges. Or perhaps the slightly yellowed keys. I don’t know. But before he even sat down to play it, he judged it and found it lacking. 

Looking over the brim of his glasses, he shot me a scolding glare. “You are a musician aren’t you?”

“Yes, sir.”

“You should be asking me to tune a baby grand then. Or least a piano with some kind of merit. But this…,” he shook his head sadly, “this piano is not fit for a musician.”

He then launched into a sales pitch about the wonderful pianos he had for sale in his store and grew agitated when I wouldn’t bite. Needless to say, that was my one and only experience with that particular tuner.

Great musicians should have only the finest instruments in their homes…

I thought perhaps his statement bothered me because it was the lead in to his sales pitch. But no, that particular comment has circled around and around in my brain for fourteen years. It bothers me. It shouldn’t. That particular piano has been long gone and I haven’t seen that tuner since the day of his barbed comment yet it nags me. Why?

I finally figured it out.

Recently a friend sent me an email about a little boy who somehow escaped his mother at a prestigious concert hall and crawled up on stage plunking himself right next to a world renown pianist just before the man was beginning his concert. The little tyke clumsily tapped around on the keys before looking up to the famous pianist with a grin. The poor mother was horrified and jumped out of her seat, preparing to retrieve her wayward son but the pianist only smiled down at the little boy and begin to imitate the toddler’s finger strikes. Then something amazing happened.

As the little boy squealed with delight and pounded the keys harder, the pianist began to improvise melodies over the boy’s tapped notes. The entire audience was spellbound. When the little boy finally tired of the game, he hopped down and the musician stood and applauded him, causing the entire crowd to cheer and smile.

I love that story. And in a flash, I finally understood why that tuner’s comment bothered me.

Great musicians are not great because they have the finest instruments in their homes. They aren’t great because their fingers and ears are only trained for the best the world has to offer, or because they have sold X number of CDs or because they fill up concert halls. A real musician can make music out of the hardest situation. It doesn’t matter whether the keys are chipped, whether it’s a Bosendorfer or a dusty spinet, whether the action is smooth like honey or stilted, or even whether a little boy interrupts their Rachmaninoff moment.

The sign of a great musician is not in owning the finest instruments, but the ability to make the most broken instruments sing once more. 

From this perspective, God is the greatest musician of all. He takes our broken strings, chipped edges, places His hands on those battered keys and coaxes out a song. A melody. An unspoken story. And the more broken the instrument, the more amazing His ability to make it sing.

Do you feel broken, chipped or used up? Don’t let the enemy’s lies discourage you. You are valuable and treasured. God doesn’t have a room full of glistening new grand pianos. He prefers the spinets.

Under his touch, they make the sweetest melodies.